Jul 30, · Homi K. Bhabha describes this process, known as hybridity, as the creation of culture and identity from the blending of cultural elements of the colonizer and the colonized, thereby defying the origins of any authentic identity (Bhabha ). Authors situated in this postcolonial era move between different worlds, trying to merge diverse cultures Drawing on Jacques Lacan’s post-psychological analysis theory, Homi Bhabha’s postcolonial theory, postmodern views of history, and identity theory in cultural studies, the author of this dissertation sketches a tentative route of postcolonial subjects’identification: escape—mimicry—hybridity—blogger.com paper consists of four identity formation, clash of cultures, assimilation, and hybridity with reference to diasporic people. While discussing the complexity of subject positions in the modem world at the tum of the last century, Homi Bhabha, in his "introduction" to The location of Culture (), introduces the notion ofhybridity which can be described as a state of
Homi Bhabha and His “the Location of Culture” - Term Paper
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Download Free PDF. PhD Thesis: Festivals in Java: Localising cultural activism and environmental politics, Alexandra Crosby. Download PDF Download Full PDF Package This paper. A short summary of this paper. The views expressed herein are those of the author and are not necessarily those of the Australian Research Council. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged.
In addition, I certify that all information sources and literature used are indicated in the thesis. Compared to the New Order that ended inthis era has been characterised by greater cultural openness and political freedom. Activists have sought, found and invented new cultural spaces to agitate for change, acknowledgment bhabha cultural dissertation hybridity phd thesis. This thesis takes two examples of this cultural activism. The first, the Forest Art Festival, organised by the group anakseribupulau children of a thousand islandswas held only once, inon the edge of the forest in the town of Randublatung.
The second, Festival Mata Air Festival of Waterwas organised by the group Tanam Untuk Kehidupan Planting for Life and held at a number of freshwater springs in Salatiga in, and Festivals like these bypass colonially constructed, nationally endorsed, and globally expected modes of cultural production by working inside neighbourhoods using local methods.
They exploit sites of friction between local, national and global cultural flows. An analysis of festivals within this framework reveals that they do more than express and exhibit culture. Festivals and the collectives that create them remix local genealogies, acknowledgment bhabha cultural dissertation hybridity phd thesis, challenge homogenising cultural theories, and localise new technologies and aesthetics.
In order to come to terms with the significance of the carnivalesque in Java new combinations of cultural theories are explored within this thesis. The features of a localised form of carnivalesque are drawn out of the festivals themselves as I examine the ways activists describe their work; the ways they interpret the globally-circulating concepts such as environmentalism; the ways they remix local rituals, stories, and images; the collaborative artworks they generate; and their localised uses of digital technologies.
Ilaria Vanni, my primary supervisor. Ilaria recognised the links between my work and other forms of cultural activism and acknowledgment bhabha cultural dissertation hybridity phd thesis the necessary focus to the project. Thank you to Dr. Barbara Leigh, who encouraged me from the very beginning of my interest in Indonesia, teased out my first research proposal, and supported each adaptation of the research since.
Thank you to the Australian Research Council, and the Transforming Cultures Research Centre at the University of Technology, Sydney, for supporting the research. Sincere thanks to everyone who agreed to be part of the research including those who were interviewed as well as all the artists, activists, workers, and volunteers that made up the various connected projects, such as the Gang Festival, Sisa, the Forest Art Festival, Art Day is Today and Festival Mata Air.
I would like to thank all the researchers who made their work available to me at various stages of their own journeys: Francesca da Ramini, Merlyna Lim, Emma Baulch and Monica Wulff whose wonderful theses were amongst the first I read; Sue Ingham whose work gave me a clear departure point; and Lizzie Muller, Kirsten Seale and Katie Hepworth, for all finishing theirs in the time I have been writing.
Thank you to all the Indonesianists before me, working in a field buoyed by creativity and passion. Thank you to Amrih Widodo and Emma Baulch for their contributions to the discussions of local environmentalisms in Chapter 4 and to Barbara Hatley for her contribution to Chapter 1. I am particularly indebted to the editorial team of Gang re:publik: Sue Piper, Jan Cornall and Rebecca Conroy for their commitment to our book, which became acknowledgment bhabha cultural dissertation hybridity phd thesis anchor for my academic work.
A very special thank you to Dr. Rebecca Conroy, who introduced me to her own methods of practice-based research in acknowledgment bhabha cultural dissertation hybridity phd thesis Thank you for providing me with a carefully selected and photocopied bundle of readings to carry around Java during my first field trip, for being my colleague when I thought having one was impossible, and for being my friend, always.
Thank you also to Sebastian for showing me the importance of a team effort in completing a thesis. And thank you to my wonderful proofreader John Revington. Thanks to all those who shared their homes over my candidature: Ariani and the Darmawan family in Bandung, Rumah buku my Bandung office and library ; Heidi, Mike, Bobby and Marjinal and Rebecca Henschke in Jakarta; Ness, Rudy, Mia and Febi in Salatiga; Anang, Ella, Aris and Django, Taring Padi and Acong in Yogya; Dodi in Sumatra; Nova in Malang; Bu Endang and the Wijaya family in Randublatung; Dik Meta in Semarang; Mas Gunretno in Pati; Dr Peter Bruce in Pearl Beach; and the Simpson family in Darlinghurst.
Acknowledgements must also go to my partner Alex Davies, who has always been my home when I have returned from Indonesia, with dengue fever, golden staph, heartbreak and complete exhaustion. Alex has acknowledgment bhabha cultural dissertation hybridity phd thesis patient, loving, and, even while doing his own PhD, he has kept me focused on mine with an unwavering belief in my abilities. Thank you to our son, Luka, for putting up with our work.
Thank you also to my parents Jillian and Peter for encouraging curiosity and creativity, and to my brothers Nick and Matthew for believing in me.
This thesis acknowledgment bhabha cultural dissertation hybridity phd thesis dedicated to Exi Wijaya and Djuadi, whose constant performance of their own conflicting identities is, somehow, magically, an inspiration to all around them, and who never accept politics as anything but acknowledgment bhabha cultural dissertation hybridity phd thesis personal. anakseribupulau, anakseribujawaban, anakseribuibu, anakseriburumah, anakseribukawan, anakseribunegara, anakseribuhutan, anakseribusekolah, anakseribuhati, anakseribualat, anakseribusolusi, anakseribukampung, anakseribujaringan, anakseribusaudara, anakseribupacar, anakseribupusuku, anakseribuagama, anakseribubahasa, anakseribunomorhp, anakseribuidentitas, anakseribuhairstyle.
Maturnawun Exi dan Dju. Teddy D. Tedi D. Figure 1, 2: Senjoyo, By Djuadi, Photographs from the anakseribupulau archives. Photograph by Nova Ruth. Images courtesy of the artists.
Photograph by Mickie Quick. Photograph by Daniel Mackinlay. Photographs by S. left and Plonco right inside Tropical Igloo, Photograph from the Taring Padi archives, acknowledgment bhabha cultural dissertation hybridity phd thesis. Photograph from the anakseribupulau archive. Photograph from the anakseribupulau archives, acknowledgment bhabha cultural dissertation hybridity phd thesis. Becoming an Environmentalist is Easy!
T-shirt at Festival Mata Air, I enrolled in International Studies at the University of Technology, Sydney UTS and, through the ACICIS1 program, I arrived for the first time in Yogyakarta in I soon met members of the energetic Taring Padi collective and spent much of the year at Gampingan, the repurposed art school campus that Taring Padi had occupied since Gampingan had an open door policy and a acknowledgment bhabha cultural dissertation hybridity phd thesis infinite number of empty classrooms that could be used for studios and bedrooms.
Taring Padi and the others at Gampingan were experimenting with alternative lifestyles, mixing fine art and street art, and circulating texts on anarchism and communism. Gampingan became an epicentre of politics and creativity and a point of exchange for activists and artists from all over Indonesia and the world.
Like many others, it was here, through daily social interaction nongkrongthat my Javanese political education began. Studying visual communications in Australia, and printmaking in Indonesia, I developed an interest in the visual languages of activists. This triggered an academic interest in the politics of the collective production of these languages.
I began researching zines and was soon collaborating on a publication called Arus Currenteach edition of which had a hand-printed silkscreen cover and a theme that nudged at social taboos.
Gampingan was also where I began my long fascination with the idea of kampung neighbourhood as a way to express a collective sense of place and the social relations that seemed to form such a strong sense of community in Java.
Bulan Pernama, the cultural evenings held on the nights of the full moon, were directed to these people. Posters and publication campaigns employed slogans and visual languages that activists saw as appropriate cocok to the process of engaging orang kampung, acknowledgment bhabha cultural dissertation hybridity phd thesis, designed around particular issues that might affect their daily lives.
As my year in Yogyakarta ended, I joined the collective work on a Taring Padi mural for the Adelaide Arts Festival. Everyone who was around Gampingan at the time worked 1. ACICIS is a non-profit, national educational consortium based at Murdoch University that was established in to develop and coordinate high-quality, semester-long study programs at Indonesian partner universities for Australian university students.
A few months after returning to Australia, in earlyI acknowledgment bhabha cultural dissertation hybridity phd thesis to Adelaide to meet with the Taring Padi members who had journeyed with the work. What struck me during this and other collaborations with Taring Padi was the unwavering commitment to the collective practices they had developed for producing such artworks.
Rebecca Conroy recruited me to the project Beyond the Factory Walls4, and during the planning stages of the project, I won a lottery, the prize of which was a return ticket to Jakarta. I used the prize to travel to Java and collect artworks to auction as a fundraiser for equipment we needed for the project. A conventional place to start may have been the galleries and established artist-run spaces, but I lacked the contacts to make an attempt at this.
So, I did what I knew how to; I visited people, hanging out with them and asking questions. We made enough money from the auction to cover the cost of the airfares for five crewmembers of Beyond the Factory Walls. I raise this experience because it was through a combination of good luck and patient research that I discovered the extended network of activist-artists in Java and realised the necessity of a nongkrong for accessing them. This was to become the foundation of my research methodology for this thesis.
A few years later, Beyond The Factory Walls grew into the Gang Festival, which Rebecca and I devised as an experiment in collective-to-collective Indonesia-Australia relationships and as an exploration of networked cultural production.
My role as co-founder and co- director of the project brought me into direct contact with Vanessa Hyde and Rudy Ardianto who later initiated Tanam Untuk Kehidupan and Festival Mata Air and enabled me to deepen my existing relationships with other collectives such as anakseribupulau, ruangrupa and Taring Padi. The Gang Festival was a test of what a festival could be: Could it be decentred? Could artists themselves design it?
Could it avoid the cultural 3. The Gang Festival was our answer to the carnivalesque in Java. It was an attempt to translate the excitement of post-New Order creativity into the artist run spaces of Sydney, where we lived. This thesis grew from that feeling. See the anthology gang re:Publik indonesia-australia creative adventures Crosby et al.
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, time: 1:00:04Hybridity in British Muslim women's writing - Kingston University Research Repository
Hall’s concept of cultural identity (Hall, ) and Bhabha’s () idea of cultural hybridity served as theoretical resources for the study. I followed qualitative research approach with a focus on experiential paradigm to learn about the subjective and lived experiences of parents This is to state that the thesis under the title Cultural Identities on Mimicryand Hybridity in Zadie Smith’s White Teeth is truthfully my original work to fulfill the requirement for SarjanaSastra (S.S). It does not incorporate with any materials written or published beforehand by other persons. Except those which are indicated in quotations and argue that this combination is a manifestation of Homi K Bhabha’s () concept of the Third Space of Enunciation (hereafter ‘the Third Space’) which Bhabha associates with hybridity. In the Third Space, cultural identities are seen as being hybridised; it is from this hybridity that a new fluid position or liminal identity emerges
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